Category: Stories

Stories

"Drop Lou Dobbs" – Online Campaign by Pro-Immigrant Forces Puts Pressure on CNN

One of several online campaigns against Lou Dobbs. (Image: Americas Voice)

One of several online campaigns against Lou Dobbs. (Image: America's Voice)

Hispanic and pro-immigrant activists are becoming increasingly vocal in their demand that CNN drop host Lou Dobbs. Dobbs has a history of supporting fringe conspiracy theories –like the so-called “birther” movement that questions whether President Obama was born in the U.S, and one that claimed immigrants were spreading leprosy in America.

The latest of several campaigns against Dobbs was launched yesterday. It targeted CNN reporter Soledad O’Brien, who has Hispanic roots and occasionally reports on Latino issues for the network. She has an upcoming special called “Latino in America” that will air next month.

“Tell Soledad O’Brien that CNN can’t have it both ways. CNN should not make money off of the fastest growing demographic in the U.S., Latinos, at the same time that it promotes the type of dangerous language that has led to increasing hate crimes against those very same Latinos,” said the campaign launched by an activist on Twitter.

This is just one of several initiatives on the web against Dobbs. Presente.org, a “national online advocacy organization,” launched BastaDobbs.com (Enough Dobbs). Miami-based activist group Democracia U.S.A. created another campaign, asking CNN to “to hold Mr. Dobbs to journalistic standards.” Monitoring organization Media Matters, the National Council of La Raza (NCLR), America’s Voice and various other groups have put up DropDobbs.com, which aims to convince advertisers to pull their ads from Dobbs’ show.

(more…)

AudioStories

Reporter’s Notebook: Finding Common Ground on Immigration in Arizona’s Dairy Farms

Phoenix-based FI2W reporter Valeria Fernández produced a radio piece for NPR’s Latino USA on immigrants who work in the dairy industry and the farmers who hire them.

Here, Valeria narrates how she produced the piece, which airs this weekend on Latino USA. To listen to the piece, press “play” below.

[audio:http://latinousa.kut.org/wp-content/lusaaudio/859segAZdairies.mp3]

 

By Valeria Fernández, FI2W contributor

For almost two years now, one of my sources here in Arizona had insisted that I do a story about immigrants working in dairies. I finally started to work on this one about five months ago, before I even knew which direction it was going to take, or even that it was going to become a radio piece. I needed to become familiar with the universe of dairies at a time when Arizona was facing an intense crackdown on illegal immigration.

There was naturally going to be fear and resistance on the part of immigrant workers. For about two years now, the state has had a law in place that sanctions companies who knowingly hire undocumented labor.

Cows in Gerald Lunts farm: he says than other than the economy and the price of milk, finding workers to help in his farm is his biggest problem. (Photo: Valeria Fernández)

Farmer Gerald Lunt says than “other than the economy and the price of milk,” finding workers is his biggest problem. (Photos: V. Fernández – Click to see more)

ALSO: Read a diary by the daughter of a Mexican immigrant dairy worker.

The law has been used mostly to conduct work-site raids in businesses, resulting in the arrest of a couple of hundred workers. The number is not large, but the chilling effect on local immigrant communities is much bigger.

In a couple of ways, this was unexplored territory for me. I was as nervous as the subjects of the story. Not only was I going to leave the comfort of print, but also, I was going to do it in English, my second language. I feared leaving my small notepad and using a microphone instead. Often times I would just tuck it away, and listen to people to help them relax.

There have been stories about workers in agriculture, but I wanted to do a story about what life was like in the dairies. I had all sorts of preconceptions.

(more…)

AudioStories

“My Life in an Arizona Dairy”: Journal of a Migrant Worker’s Daughter

This diary was written by the 12-year-old daughter of a Mexican immigrant dairy worker. Her name has been changed to protect her identity. Click here to go to the main story to read more about her family and to listen to a radio piece about immigrants and dairy farmers by FI2W‘s Valeria Fernández for NPR’s Latino USA.

Well, my name is Laura. I was born in Arizona and lived here for about a year or so when I moved to the dairy. So I’ve been living here for most of my life.

I live here with my mom, and dad, my two brothers and my little sister. It can be fun and boring living in a dairy.

For the first part, I don’t like living here ’cause the smell!! Yes, there’s times when it smells really awful. And times you can really smell nothing.

Also most the time there’s nothing to do! Well, like, there’s not much trailers here, only like 5! Also there’s not much kids my age around here.

Then sometimes I am really bored and can’t just walk to a friend’s house or something: it’s too far! So I might feel left out most of the time.

Now, the thing I do kinda like is that you can take a walk and see the cows; now I think that’s pretty fun to walk around. Also there’s a lot of open space here! In most houses there’s not a lot of space.

So here you can have a party and barbecue. Okay, so that’s partly most of my life. I’m mostly used to it, so I don’t mind much.

I hope my dad doesn’t lose his job and (we) live here for a couple more years or so. And I hope for those people that don’t want Mexicans here to think it over, ’cause Mexicans have done a big difference to this country to make it a better place.

Stories

Immigrants Use Facebook to Connect with Family – and Issues – Back Home

Thousands of Venezuelans living abroad, for example, used Facebook last week to learn about and participate in an international protest against President Hugo Chavez. They set their Facebook status to the demonstration’s slogan: “No Más Chavez” (No More Chavez.)

The use of Facebook and other social networks by the Venezuelan opposition had already become so prominent by July this year that the Venezuelan government responded with an official statement. In response to the September march, it also launched its own Facebook campaign.

Immigrant advocacy groups in the U.S. are also using Facebook to increase their visibility and mobilization.

Make the Road New York, a New York City-based immigrant advocacy organization, is exploring the idea of incorporating Facebook training in its computer literacy workshops for immigrants and revamping its presence on the social network. The idea came from Mauricio Rocha, 24, who arrived in Queens from Colombia three months ago. Rocha thinks Facebook can contribute to the organization’s effort to mobilize immigrants.

“Every person of my age uses Facebook, not only on their desktops or laptops but on their phone and handhelds,” said Rocha. “Older people learn and adapt very quickly to this technology. In Colombia, Facebook helped organize a million-person movement against the FARC. We can do the same here in Queens.”

A random search on the “Facebook Groups” option will bring up congregations of Mexican Jews, Haitians in Connecticut, Indians Abroad, Colombians in London, Israelis in the World — all sorts of nationalities and movements have created their own Facebook public square.

A search of the word “immigration” this week showed almost 7,000 groups.

Stories

Queen of ‘Jazzipino’ Charmaine Clamor Breaks Ground in America

This is an excerpt from a story on New America Media. Reproduced with permission.
By New America Now TV. Anchor & Producer: Odette Keeley. Videographer & Master Editor: Mike Siv. Editor: Jeremiah Ysip.

OAKLAND, Calif. — Many jazz artists and aficionados consider jazz as the immigrant’s music — embracing and absorbing into a big pot, the many styles, elements and talents coming from musicians from all over the globe.

Charmaine Clamor, recently hailed as America’s leading Filipina jazz and world music vocalist, believes the “Filipino spice” may have found its renaissance in this pot in recent years, through the hybrid genre she created, “Jazzipino”. It’s a blend of the soul and swing of American jazz with Filipino music, languages and instruments. It’s the perfect pairing of her two great loves, Clamor says – of jazz and her Filipino soul, and it has catapulted her into the American jazz stratosphere.

Multi-Awarded Filipina Artist Breaks New Ground With “Jazzipino’ from New America Media on Vimeo.

Now living in Los Angeles, Clamor was born in the Philippine town of Subic-Zambales, and her mother, a soprano singer inculcated in her a deep love for the Great American Songbook and Filipino music. Clamor relates that growing up, their home was filled with jazz and opera, alongside Philippine kundimans (torch songs), harana songs (serenades) and folk music.

In 2007, Clamor’s second album, “Flippin’ Out,” made the Top 5 on both JazzWeek’s World and Traditional Jazz radio charts simultaneously. And in 2008, her third album, “My Harana: A Filipino Serenade” made the Top 10 in the world music charts, making her the first Filipino to place two consecutive albums in the Top 10 world music radio charts.

She has been featured in several Filipino-American and mainstream media, including ABS-CBN International – The Filipino Channel, Asian Journal, NPR, BBC, the Los Angeles Times, L.A. 18, and has become one of the Philippines’ newest singing icons.

Clamor has also received numerous prestigious awards here and in the Philippines including as the “Philippines Pride – Best Jazz Singer” from FAMAS – the Philippine equivalent to the Oscars, as well as a 2009 Asian Heritage Award in the Performing Arts, organized by ASIA Magazine.

Visit New America Media to read the complete story.

Stories

Drama About Immigration Raids and their Human Consequences in Arizona Is No Fiction for Many

Dulce Juarez plays the role of a school counselor who has to decide whether she will help an immigrant family. (Photo: Charles Dee Rice/cdricephotography.com)

Dulce Juarez plays a school counselor who has to decide whether to help an immigrant family. (Photo: Charles Dee Rice/cdricephotography.com)

PHOENIX, Arizona — When the school counselor gave her the news, it broke Olivia’s heart. Her father had been detained by deputies from the Maricopa County Sheriff’s Office. In the worst case scenario, he might have already been deported.

Olivia is a fictional character in The Tears of Lives, a play produced by Phoenix’s New Carpa Theater Company and written by James Garcia. But stories like hers are common in Arizona.

The play — a fundraising effort to keep Phoenix’s sole day laborer center from shutting down — is holding up a mirror to audiences, challenging them to acknowledge the situation faced by immigrant families torn apart in raids by local sheriff’s deputies who are authorized to act as immigration agents.

“We wanted to expose audiences to stories they might never see — said Garcia — put a third dimension to the immigrant story. Because most Americans’ image of immigrants is of people coming over a (border) wall, or being handcuffed on a sidewalk.”

Watch a segment of the play/Video by Valeria Fernández

(more…)

AudioStories

Reporter’s Notebook: Conn. Priest Shows How to Earn the Trust of an Immigrant Community

FI2W reporter Aswini Anburajan produced a radio piece for NPR’s Latino USA on Father James Manship, a Roman Catholic priest in New Haven, Conn., who teaches his immigrant parishioners how to stand up for their civil rights, and who has been in the news in the past for being arrested in a confrontation with local police officers. Here, Aswini narrates how she managed to produce the piece, which aired on Latino USA and which you can listen to below.

[audio:http://latinousa.kut.org/wp-content/lusaaudio/856seg01.mp3]
By Aswini Anburajan, FI2W contributor

If you think that ethnic reporting isn’t critical to knowing a community, read on. This is the first piece I’ve done for Feet in 2 Worlds that hasn’t been on Indian Americans. The basis of FI2W is to get reporters to write about their own communities, but even I didn’t realize why this is so important until I delved into a project for Latino USA.

My piece was originally supposed to be on the economic life of a day laborer or someone new to the country, undocumented and trying to establish a life in the U.S. That piece remains undone. Being an Indian American with some high school Spanish under my belt, I thought it would be a cake walk. Call some social service agencies, reach out to immigrant coalitions, and I could “break in.”

Manship in 2008 visited with family and friends of his Connecticut parishioners, in the province of Morena Santiago, in the rainforest regions of Ecuador. (Photo: Courtesy J. Manship)

Manship in 2008 visited with family and friends of his Connecticut parishioners, in the province of Morena Santiago, in the rainforest regions of Ecuador. (Photo: Courtesy J. Manship - Click for more images)

Four months later, I had to think again. Without truly knowing a community, or having cultural or language associations with them, I found it impossible to get through and talk to individuals who were undocumented. It wasn’t that every door I knock on was slammed in my face. Most of the time, people pretended they weren’t home. This ranged from individuals I knew with ties to the Latino community to social service agencies.

(more…)

AudioStories

New Museum Aims at Reconciliation Between Poles and Jews: FI2W’s Ewa Kern-Jedrychowska on PRI’s The World

“While there are anti-Semites in this country, there is even a larger number –and that group is growing faster– of people opposing anti-Semites, the anti-anti-Semites.”

[ Rabbi Michael Schudrich ]

Zygmunt Rolat at the ceremony to launch construction of the museum. Rabbi Schudrich is on the right. (Photo: Krzysztof Slomka)

Zygmunt Rolat at the ceremony to launch construction of the museum. Rabbi Schudrich is on the right. (Photo: Krzysztof Slomka)

The history of Jews in Poland is long and not without controversy, especially due to their persecution during World War II. The fact is, until that war started Warsaw was a center of Europe’s Jewish community.

Now, construction has started there on the Museum of the History of Polish Jews.

An artists rendering of the museum. (Image: Museum of the History of Polish Jews)

An artist's rendering of the museum. (Image: Museum of the History of Polish Jews)

It will not simply be a museum about the Holocaust. The museum team wants to focus more broadly on centuries of Jewish life and achievements in Poland.

Feet in 2 Worlds reporter Ewa Kern-Jedrychowska produced a radio piece about the museum from Warsaw that aired Tuesday on PRI’s The World.

You can listen to the story here or you can visit The World‘s page.

[audio:http://64.71.145.108/audio/0825095.mp3]

A cantor at the ceremony. (Photo: Krzysztof Slomka)

A cantor at the ceremony. (Photo: Krzysztof Slomka)

You can see more pictures at the Feet in 2 Worlds Flickr page.

AudioStories

Immigration Reform Postponed ’till 2010: FI2W’s Diego Graglia on WNYC’s The Brian Lehrer Show

Following President Barack Obama’s announcement postponing Congressional action on immigration reform until next year and the outcry from immigration activists, Feet in 2 Worlds web editor Diego Graglia appeared Monday on The Brian Lehrer Show on WNYC, New York Public Radio, to discuss the situation.

Also featured was Amy Gottlieb, director of the Immigrant Rights Program at the American Friends Service Committee, who talked about problems with the immigration detention system.

You can listen to the segment here or visit the show’s page.

[audio:http://audio.wnyc.org/bl/bl081709dpod.mp3]
AudioStories

Artists Mix Spanish Accent with Industrial Legacy: FI2W’s Martina Guzmán on WDET’s Detroit Today

(Photo: Thomªs/Flickr - Click to visit photo page)

(Photo: Thomªs/Flickr - Click to visit photo page)

Feet in 2 Worlds reporter Martina Guzmán reported Thursday on WDET’s Detroit Today on, “techno artists who once spun records in Detroit basements, abandoned warehouses and after-hours clubs and are now considered royalty on the electronic dance club circuit in Japan and Europe.”

In her report, Martina narrates how the artists’ sound was, “influenced by automobile assembly lines and the city that now has a Spanish accent,” according to Detroit Today‘s webpage

You can listen to the piece here or visit WDET’s site for the whole show.

[audio:http://www.jocelyngonzales.net/FI2W/wdet_martina_latintechno.mp3]