By John Rudolph, FI2W Executive Producer

For many Americans, May 1, 2006 was when they first began to comprehend the power of the nation’s Spanish-language media. Hispanic radio and TV played a key role on that day, urging Latino immigrants to take time off from work to demonstrate for immigration reform. Millions participated in the protests in cities across the country.

But while Hispanic media was credited for its role in bringing out the masses on the “day without immigrants,” most people remain unaware of the long history of the Spanish-language press in America, and its tradition of advocating for Latino interests.

The first U.S.-based newspaper for Spanish-speaking readers – El Misisipi – made its debut in New Orleans in 1808, nearly two centuries before the historic marches of 2006.

By the mid-19th Century Spanish-language newspapers were editorializing and covering news in New York, California, Texas, New Mexico and Pennsylvania. Among the causes they supported were independence for Mexico and Cuba, which at the time were Spanish colonies.

The nation’s oldest continuously-published Latino newspaper, – La Prensa – was founded in New York in 1913, and exists today as the daily El Diario/La Prensa.

“We’ve been around for years. We’re not a new media,” said Juan Gonzáles, who chairs the Journalism Department at the City College of San Francisco.

Gonzáles is producing a film that tells the story of America’s Spanish-language media, Voices for Justice: The Enduring Legacy of the Latino Press in the U.S. Along with fellow filmmaker, Félix F. Gutiérrez, a professor of Journalism at the University of Southern California, Gonzáles recently showed a preview of the film to an audience of ethnic media journalists in Atlanta.

Gonzáles told Feet in Two Worlds that the film intends to dispel myths about Latinos both among Hispanics and in the wider society. ” Through the pages of our newspapers we really get an impression of what Latinos are like,” he said. “Mainstream media always shows negative stories (about Latinos) — about gang activity and crime.” Gonzáles noted that many Latinos don’t know the history of the Spanish-language press. “We’re feeling a big gap of knowledge,” — he said — “the film is going to fill a void in telling the story of a people.”

The film project is also a way for Gonzáles and Gutiérrez to prod the Hispanic press to be more aggressive in the way it reports the news.

Today there are hundreds of Hispanic newspapers and magazine across the country. Spanish-language radio is a huge business, and Hispanic TV networks Telemundo and Univision have become as mainstream as their English-language counterparts.

Despite the numbers, Gonzáles, who founded El Tecolote, a bilingual community newspaper in San Francisco, laments that there’s “a lot of fluff” in journalism aimed at Latino audiences. “It does a disservice to the community,” he said.

“When it comes to hard stories, it’s something I continue to push for,” he said. “However much you don’t want to do it, you have to do it. Your simple existence is not enough. You need to help the community change conditions through your solid reporting.”

By Jelena Kopanja, FI2W contributor – Second of two installments.

The name of Bosnia and Herzegovina –a small, heart-shaped country in the Balkans– is rarely associated with love.

The country made headlines in the mid ’90s as a place where ethnic hatred resulted in the death of 100,000 of its people and the exodus of many more. In addition to the photo albums and coffee grinders refugees packed in their suitcases as they fled, they also brought with them parts of their culture including sevdalinka, a traditional Bosnian song of love and longing for all that was left behind.

Now as Bosnian communities strengthen their roots in the United States, England and elsewhere, younger generations are growing up having little contact with their parents’ homeland. For these children, sevdalinka is perhaps a way to maintain a link. Mary Sherhart, director of Sevdah North America –a cultural organization dedicated to the study and preservation of this music– has seen the powerful connections sevdalinka can make.

“The little girls especially are enamored with it,” she said. “When those kids go home and hang out with their parents –in particular with their grandparents– the grandparents start singing, it gets them thinking about their youth. It is so healthy for these elders who feel particularly traumatized and isolated, as they often do not speak English.”

Listen to “Tamburalo Momce u Tamburu” (Youth was playing tamburitza) by Mary Sherhart, John Morovich and Balkan Cabaret:

[audio:http://www.jocelyngonzales.net/FI2W/05_Tamburalo.mp3]

From the CD “Somewhere Far Away” (2006)

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By Jelena Kopanja, FI2W contributor – First of two installments.

NEW YORK – When Mary Sherhart first sang the traditional Bosnian songs known as sevdalinkas at a concert in 2004, a woman stood up and started weeping. Her bare arms, emblazoned with scars from the war that ravaged Bosnia in the early nineties, rose toward the ceiling.

At that moment, Sherhart knew that to be a “responsible artist” she would need to learn more about this song and its people, as the music extracted from her audiences the most private of emotions.

The emotion was evident on the faces of those who came to listen to Sherhart and Sakib Jakupovic, a Bosnian musician, this past April in Queens, NY at the tenth-anniversary celebration of the Bosnian-American Association. At midnight, grateful guests lined up to personally thank Sherhart for coming. Many of them were older Bosnian men and women, self-conscious about their broken English, but nevertheless eager to express their gratitude.

Sevdalinka is a song of love in all its manifestations, but for Bosnians living outside their country, one feeling predominates — nostalgia.

“Sevdah takes a new meaning in the diaspora,” said Sherhart, who is the president of Sevdah North America, an organization dedicated to the preservation and study of this music. “It is a bridge to the time when they were happier, a bridge to home, a bridge to their children for whom those ties are not as strong.”

Listen to “Snijeg Pade na Behar na Voce” (Snow has fallen on blossoms, on fruit) by Mary Sherhart and Omer Pobric:

[audio:http://www.jocelyngonzales.net/FI2W/08_Snijeg.mp3]

From the CD Srce Puno Bosne, Amerika i sevdah, Mary i Omer

(2005, Institut Sevdaha)

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